The imminent re-opening of the
Glynn Vivian Art Gallery will enable visitors to view some still-life oil
paintings of fruit and flowers, and portraits of certain of the ‘Kardomah Boys’
- such as composer Daniel Jones and poets Vernon Watkins and Dylan Thomas,
painted by one of their number – all by Alfred Janes.
It was near the Kardomah café,
which before the wartime bombing used to stand in Castle Street and where during the 1930s
those emerging Swansea
writers, artists and musicians would gather upstairs, that Alfred Janes was
born, above his parents’ fruit and flower shop in Castle Square in 1911. He attended Swansea
Grammar School on Mount Pleasant hill ,
where English was taught by Dylan’s father D.J. Williams. Janes went on to the Swansea School of Arts
and Crafts in Alexandra Road ,
and as just a sixteen–year-old he exhibited at the National Eisteddfod in Treorchy
in 1928. At that time he was painting
portraits and still-lifes, and was commissioned to paint a portrait of Swansea ’s Mayor, Arthur Lovell; in 1931 his portrait of
fellow artist Mervyn Levy won him a scholarship to
study art at the Royal Academy Schools in London .
There Janes was influenced by studying the works of Picasso and
modernist artists in commercial galleries, and began to experiment with
abstract and semi-abstract forms. Fascinated
with the possibilities of different techniques and media, he constantly
experimented with style and materials.
He first met Dylan Thomas in 1932
through their mutual friend composer Dan Jones, and two years later Janes and
Thomas shared a flat with Mervyn Levy in Earls Court , London . In 1936 he settled again in Swansea ,
teaching part-time at the School
of Art and Crafts, and
painting a series of still-life pictures.
That July he drove Dylan to Laugharne to visit Caitlin McNamara, on the
occasion when Dylan got into a brawl with Augustus John outside a Carmarthen pub.
During the Second World War Janes served in the Pioneer Corps, being posted to Egypt ,
where he worked for two-and-a-half years in a prisoner-of-war camp. There he learned Italian, befriending some of
the Italian prisoners – friendships which continued long after the war. While on leave in 1940 he married Mary Ross,
who like Dylan had acted with Swansea Little Theatre, and they had a son and a
daughter. During those war years
he did no painting, but produced a series of drawings of army colleagues.
After the war he returned to Swansea to
resume painting and teaching at the School
of Art and Crafts,
painting portraits of Vernon Watkins and Daniel Jones. Janes took part in the 1949 BBC Radio
programme “Swansea
and the Arts”, recorded in the Grove in the Uplands, along with Dylan Thomas,
Daniel Jones, Vernon Watkins and writer John Pritchard, with their photos
featured on the cover of the “Radio Times”.
Four years later he and Mary settled at Nicholaston Hall in Gower, where he used the barn for his studio, and embarked on a
series of experimental works using sand, various oils and hardboard.
In 1963 they moved to London
when he accepted a teaching post at Croydon College of Art, living opposite
the Dulwich Picture Gallery, the oldest public art gallery in the country,
which had opened in 1817. Alfred Janes
died in 1999 and was buried in St Andrew’s churchyard, Penrice, with the
centenary of his birth marked by an exhibition in Cardiff ’s Oriel Kooywood Gallery in
2011. He described himself as “a maker
of pictures, rather than a painter”, and said "I
concentrate on the craft, and if what comes out is art, that's a bonus.”
Alfred Janes was
a meticulous and painstaking artist, collections of whose work are in the
National Museum of Wales in Cardiff , Newport Art Gallery , Swansea
University , and the National Library
of Wales in Aberystwyth, as well as in the Glynn Vivian
Art Gallery .
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