What might be the ‘jewel in the crown’ of Wales’s second city - perhaps the
Brangwyn Hall, or the Liberty Stadium,
or the Leisure Centre/LC2? I would
favour that historic building standing in Victoria Road with four Ionic columns supporting the portico – Swansea Museum, also known as the Royal
Institution of South Wales.
In 1834 the founding of Neath’s Philosophical Society prompted some
prominent Swansea citizens, including Lewis Weston Dillwyn of Sketty Hall, Sir
John Morris of Clasemont and George Grant Francis of Burrows Lodge, to found
Swansea’s Philosophical and Literary Society, for “the advancement of Science,
Literature and the Arts”. Initially two
rooms were leased in Castle Square
for a library and a museum, though larger premises were soon needed to carry
out research, disseminate knowledge, and house many exhibits and works of
art.
John Henry Vivian MP obtained permission from the young Queen Victoria for
the Society to be renamed the Royal Institution of South Wales in 1838, and the
foundation stone of the oldest museum in Wales was laid on 24th
August. Designed by Liverpool
architect Frederick Long, the museum, with a classical façade and Greek and
Egyptian features, opened in 1841. It
enabled Swansea to host the meeting of the
British Association for the Advancement of Science in 1848, and similarly the
Cambrian Archaeological Association in 1861 made the first of five visits to Swansea and the museum.
Although the development of Swansea
docks with the overhead railway caused some talk of relocating to St James’s
Crescent in the Uplands, that plan came to nothing.
In the museum foyer hangs a photograph of Lizzie, a stuffed elephant which
used to stand there - children would pat Lizzie for luck before music exams in
the lecture theatre which housed the grand piano. The elephant was from a Bostock and Wombwell
travelling menagerie, but she did not survive war-time bomb damage. Downstairs are the china gallery and the main
gallery, with the fine staircase lined with paintings and portraits. A lift enables disabled access to the first
floor, which contains the Archaeology Gallery, the Cabinet of Curiosities with
the Welsh kitchen, and the museum’s best known item – the Egyptian mummy. In 1888 the future Lord Grenfell of Kilvey,
of the St Thomas
family of copper masters, presented the mummified body of the priest Hor to the
museum. There are busts of Dr Griffith
John, for 50 years a missionary in China , and of Petty Officer Edgar
Evans, the subject of a 2012 exhibition on the centenary of his death returning
with Captain Scott from the South Pole.
Also among the collection, though rarely on display, are the 1303
marriage contract of the ill-fated Edward II, and the 1833 wedding dress of
Emma Talbot of Penrice, bride of pioneer photographer John Dillwyn Llewelyn of
Penllergare. The museum garden contains
fossil trees, while the history of the Mumbles Railway is displayed nearby in
the tram shed in Dylan Thomas Square, and large items like the former Mumbles lifeboat
‘William Gammon’ can be viewed in the Collections Centre in Landore.
After some years of uncertainty the building and its collection were taken
over in 1991 by the Local Authority, then the City of Swansea .
The Royal Institution of South Wales now functions as Friends of the
Museum, and since 1993 publishes annually the ‘Swansea History Journal’
(originally called ‘Minerva’), which along with the Gower Society’s Journal
provide a comprehensive resource for researchers. Major exhibitions such as on the Great War,
or about Dylan Thomas during the centenary of his birth, along with visits from
school parties, lectures, workshops - all demonstrate that the Swansea bard’s
remark about ‘the museum that should be in a museum’ is wide of the mark.
But even in the face of economic constraints on the Local Authority, to
consider a not-for-profit body running the Museum would be poor stewardship of
what is arguably the jewel in
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