Near the top of Wind Street , at the
junction with Green Dragon Lane ,
stands Idols, formerly Swansea ’s
Head Post Office which had opened in December 1901. It was built on the site of an old coaching
inn called The Mackworth Arms Hotel, demolished in 1898.
The Mackworth Arms in Wind Street was
described by a Rev. Richard Warner as “the best inn in the place”, and the 1802
Swansea Guide stated it was “admirably adapted for the accommodation of the
more stylish traveller”. The painter
J.W.M. Turner stayed there, as did Lord Nelson, accompanied by Sir William and
Lady Hamilton, when visiting Swansea
in August 1802.
But nearly two centuries ago it
was the scene of a tragedy, when in October 1816 a 22-year-old single woman
named Fanny Imlay took an overdose of laudanum in a first-floor room. Her suicide note was printed in the weekly
newspaper “The Cambrian”, whose premises were directly opposite, where The Bank
Statement is now. Perhaps Fanny Imlay
felt the title of Oscar Wilde’s play “A Woman of No Importance” described her,
yet she was connected to four notable people whose portraits hang together
upstairs in the National Portrait Gallery, and whose books are still in print
after two centuries.
Fanny Imlay’s mother Mary
Wollstonecraft was a remarkable woman who wrote the influential “A Vindication
of the Rights of Woman” in 1792; her step-father William Godwin was a radical
philosopher and author of “Political Justice”, which challenged the forms of
government in those undemocratic times; her half-sister Mary Shelley wrote the
much-filmed novel “Frankenstein”, while her future brother-in-law was the poet
Percy Bysshe Shelley.
Fanny was born out of wedlock in Le Havre in 1794, but three years later her mother Mary
Wollstonecraft died in London
after giving birth to the future Mary Shelley.
Fanny grew up near St Pancras, in a household beset by financial
problems. Her step-father Godwin married
a “Mrs” Clairmont, who brought into the family her two children by different
fathers, and Fanny became the eldest of five children in a household where none
had the same father and the same mother: dysfunctional families are nothing
new.
From 1814 they were visited by
the 22-year-old as yet unknown poet Shelley, who admired the radical ideas of
Godwin and of Mary Wollstonecraft. The
atmosphere in the Godwin household deteriorated further when Shelley abandoned
his pregnant wife to elope with Fanny’s 16-year-old half-sister Mary!
Fanny had hoped in vain to escape
the repressive Godwin household through employment at the Dublin girls’ school run by her aunt. For in spite of her good character, to employ
anyone linked with the scandalous behaviour of Shelley and Mary could
jeopardise prospects of attracting pupils to a fee-paying girls’ school.
Probably the final straw was some
remark from her stepmother about Fanny’s illegitimacy, for she packed her few
belongings and took the mail coach to Gloucester, and from there the Cambrian
coach to Swansea – to get as far from London as she could afford, to distance
the family from her intended suicide.
A letter to her half-sister Mary
said “I depart immediately to the spot from which I hope never to remove”,
which caused Shelley to hurry from Bath to Swansea , though too late to
avert a tragedy. He managed to keep
Fanny’s identity out of the newspaper, and she was buried in the churchyard of St John’s Church (subsequently rebuilt as St
Matthew’s, near High Street Station).
Remembering their recent final
meeting at Piccadilly Circus , Shelley wrote:
Her voice did quiver
as we parted,
Yet knew I not her
heart was broken
From which it came,
and I departed
Heeding not the words
then spoken.
Misery - O Misery,
This world is all too
wide for thee.
No comments:
Post a Comment