When Frances Ridley Havergal
moved in October 1878 into a rented house in Caswell, she was a 41 year-old
hymn writer, an accomplished musician and singer, a writer of devotional books
for children, and an esteemed speaker at Christian meetings. The house then called ‘Park Villa’ stands at
the top of Caswell Hill, at the junction with Caswell Avenue . It was later re-named ‘Havergal’, with a
plaque placed in the wall in 1937 stating that Frances Ridley Havergal, Christian
poetess and hymn writer, lived there before her death on 3rd June
1879.
In Victorian times it was still
customary for families on Sundays to attend a place of worship. The vicar of a parish was an important
person in the community, and such was Rev. William Havergal, a notable church
organist and composer, whose contribution to church music is remembered by a
plaque inside Worcester Cathedral. His
youngest child Frances was born in 1836 in the Rectory of Astley, a village in
Worcestershire.
As she grew up her musical and
poetic abilities became evident, but Frances experienced times of poor
health, and with her alert mind she chafed at the enforced rest. A good linguist, she became fluent in French
and German to appreciate visits to Switzerland
and Germany . But being the daughter of a clergyman and
accustomed to attending church did not make her a Christian, for only after her
mother’s death when Frances was aged 11 did she come into a relationship with
God through Christ Jesus. Her own times
of illness and the later deaths of two nieces and one of her brothers did not
undermine her trust in God, whom she knew to be good, personal and in control
whatever happened to her.
Many of her seventy hymns in
English (she wrote one in French) are still sung today – among the 12 in the
Methodist Hymn Book are ‘Who is on the Lord’s side?’, ‘Like a river glorious’
and ‘Take my life and let it be’ - which has been translated into Arabic, among
other languages. Frances preferred ‘Take
my life’ to be sung to a tune of her father’s instead of what she called ‘that
wearisome hackneyed Kyrie of Mozart’, but the Mozart tune named ‘Consecration’
prevails today.
When she joined her elder sister
Maria at Caswell it was not for a holiday.
Requests for writing and to check her proofs flowed in from English and
American editors, while correspondents sought her advice and help. Frances
enjoyed walking on the cliffs, going onto Caswell beach at low tide to explore
rock pools, watching the ships with all sails up entering Swansea harbour, and she was interested to
visit Mumbles Lighthouse and talk with Mr Ace, the lighthouse keeper. Furthermore Frances became involved in
temperance work, encouraging the young people to ‘sign the pledge’, and, with
the Vicar of Swansea’s permission, she took Bible readings among cottagers in
the village. She sang and spoke at Swansea ’s YWCA, giving a
card containing the words of ‘Take my life’ to each of the women.
With no St Peter’s Church yet
built in Newton , Frances would attend the village’s
only place of worship - Paraclete Congregational Chapel - to play the organ and
to assist with the children’s work.
An animated personality, Frances
declined several marriage proposals. In
May 1879 following a visit from American Ira D. Sankey (of the Moody and Sankey
missions), she became ill and had to cancel a visit to Irish mission
stations. After a short illness she died
of hepatitis and acute peritonitis, being buried in the family grave at Astley,
where at her request the verse ‘The blood of Jesus Christ, God’s Son, cleanses
us from all sin’ is around her grave.
Over the next 20 years ‘Memorials of Frances Ridley
Havergal’ edited by her sister sold 250,000 copies, but her lasting legacy
remains her hymns, written to the glory of God.