Tuesday, 17 October 2017

128 Rotherslade

128 Rotherslade
Rotherslade can be reached at low tide from the beach at Langland, or by descending the steps from the clifftop path.  It used to be called Little Langland or Ladies Bay, when men would swim in Langland before mixed bathing became customary.  The 1902 Guide to Swansea and Mumbles claimed that Rotherslade “affords splendid attraction for ladies and children, who crowd there during the summer”.  On the beach was a wooden refreshment room and shop – sometimes with canvas sides and a tented roof.  Swimming lessons were available during the 1890s, with wheeled bathing machines in use until the 1920s.  
But by 1926 access other than from Langland beach had become difficult, for the rickety steps cut into the cliff were crumbling away, and the footpath needed the support of wooden struts.  Rather than erect a new retaining wall and steps, Swansea Council considered building a large concrete structure to shore up the coastline and to provide steps, a shelter, café and promenade terrace.  The estimated cost (in 1926) was £10,325, but the Council envisaged the expense could be gradually recouped by hiring out deck chairs.  The General Strike delayed progress in construction, along with shortage of materials and of skilled workers, and the challenge of high tides.  Then it emerged that the concrete wall would be too high for anyone in deck chairs to see the bay!  The Council faced the dilemma of either proceeding as planned and thereby forfeiting the income from deck chairs, or amending the scheme and incurring extra costs.  Newspaper headlines proclaimed “the Rotherslade blunder”, there was acrimonious debate among councillors, and the project was dubbed “the white elephant”. 
In March 1927 however, an amended plan was approved, with railings being installed for an extra £800, so that people in deck chairs could see the beach and enjoy the view.  A ground floor shelter was erected, with refreshment rooms above, beneath a promenade roof.   The Rotherslade Shelter was opened in 1927, which was a wet summer - so the shelter was appreciated, even if there was little demand for deck chairs.
But after seventy years the Shelter had become abandoned and derelict, so it was demolished in 1997.  The Rotherslade Shelter was replaced by a new retaining wall, with steps and promenade, opened on 21st August 1998.  Below the privately-owned green beach huts, the terrace café is open throughout the year, with an outside seating area that overlooks the beach.  While this is a vast improvement on what had become an eyesore, Kate Jones, who assembled the display currently in Oystermouth library, points out that there is no shelter from the wind and rain.  
Originally a private residence for the Bassett family, the Osborne Hotel used to overlook Rotherslade Bay.  During its extension in 1892, Rother's Tor Cave was discovered, which contained several prehistoric items, including a mammoth's tooth, now displayed in Swansea Museum.  The cave was filled in and sealed to secure the hotel’s foundations.  In 1897 the Impressionist painter Alfred Sisley stayed at the Osborne after marrying his long-term partner (they had two children) in Cardiff registry office.  Preferring to paint in the open air rather than in a studio, Sisley was enthralled by the windy cliffs, and captured the distinctive light effects on the sea and the tidal ranges in at least eleven paintings, such as “Lady’s Cove, Langland Bay, Morning”.  Some of those paintings show the distinctive Storr’s Rock, formerly called Donkey Rock.  His painting “Donkey Rock in the Evening” now belongs to the National Museum of Wales in Cardiff. 
The Osborne Hotel was popular with visiting rugby and cricket teams who were playing at St Helen’s, Swansea, but like the Caswell Bay, Langland Bay and Langland Court Hotels it closed in the 1990s, and was demolished in 2003-04, before the Osborne Apartments were built on the site. 
Oystermouth library’s display shows the huge changes at Rotherslade in just over a century.

127 William Thomas o Lan

127 William Thomas o Lan
Which Swansea statue commemorates a pioneer?  It is evidently not those of J.H. Vivian MP in Ferrara Square, his son H.H. Vivian outside St Mary’s Church, Dylan Thomas by the Pump House, Ivor Allchurch outside the Liberty Stadium, the soldier on the Boer War cenotaph on the Promenade, or Captain Cat in the Marina.  It is the Victoria Park statue outside the Patti Pavilion of Alderman William Thomas o Lan, known as “The Pioneer of Open Spaces”.  This now stands alone, though it used to have the two Vivian statues on either side, and the Boer War statue had also been in Victoria Park - before a major segment was appropriated for building the Guildhall.
William Thomas was born in Lan Manor, Trewyddfa, Morriston, in 1816.  His father was agent to the Morris family, and a partner in the Millbrook Iron Company. William Thomas joined that firm, and married in 1853 in Shrewsbury, though his wife died seven years later.  They had no children, and he never re-married.  Since its formation in 1851, he was a director of the Landore Tinplate Company, which at its peak had 1,000 employees.  With a 122-acre estate near Defynnog, William Thomas was a keen fisherman on the river Tywi.  He became a captain in the local militia, the 4th Glamorgan Rifles, and was elected to Swansea Council in 1871, where he became a vociferous campaigner for open spaces, seeking recreational facilities for all. 
The rapid increase of industrialisation in the 19th century had left little land for recreation, and while the Council’s plans to lay out Cwmdonkin Park would benefit middle–class residents living nearby, most of the working population who lived in the docks and lower Swansea Valley areas were not catered for.  So William Thomas offered a prize at the 1874 Christmas Eisteddfod at Morriston’s Libanus Chapel for the best essay in English or Welsh on the desirability and advantages of recreation grounds for the working classes and the poor children of Swansea.  His challenge elicited eight essays, with first prize of 20 guineas going to R. Rice Davies of Brunswick Street.  Even better, there was an offer of a suitable piece of land for recreation.
John Dillwyn Llewelyn of Penllergare responded to William Thomas’s challenge by offering the 42-acre Cnap Llwyd Farm, near the ruins of Morris Castle, to the people of Swansea.  Later he also gave £1,000 towards the expense of the farm being laid out as a park.  During William Thomas’s term as mayor, this was officially opened in October 1878 by his son John Talbot Dillwyn Llewelyn (as his father was unwell), and named Parc Llewelyn.  The day was declared a local holiday, with a fireworks display in the evening.
William Thomas went on to secure the land for Victoria Park, opened in 1887 in honour of Queen Victoria’s Golden Jubilee, Brynmelyn Park the following year, as well as the Recreation Ground at St Helen’s, and Brynmill Park.  He was appointed Chief Magistrate, and after 23 years retired from the Council in 1894.  The Eastside was accommodated with the opening of Jersey Park in Dan-y-graig in 1903. 
Bandstands were a regular feature of those early parks, which in the case of Victoria Park could also be used for drill by the local militia, and staging Bostock and Wombwell’s Menagerie, and Buffalo Bill’s Wild West Show.  There were games of tennis and bowls at several parks, with cricket at Parc Llewelyn, and Brynmill Lake was used by a model yacht club.  The Gorsedd ceremony was held in Cwmdonkin Park in August 1907 when Swansea hosted the National Eisteddfod, for Singleton did not become a public park until 1920.       
The statue of the man who inspired all these was funded by public subscription and unveiled in Victoria Park in 1906, three years before the death of William Thomas, the “pioneer and champion of open spaces”.                                                            

Monday, 16 October 2017

126 Death Ray Matthews


Death Ray Matthews’
Last month an Evening Post article contained a Craig Cefn Parc resident’s recollections about Harry Grindell Matthews, popularly called Death Ray Matthews, a pioneer inventor described by Churchill as being “100 years too advanced”.
Born in 1880 at Winterbourne in Gloucestershire, Matthews enlisted in Baden-Powell’s South African Constabulary during the Boer War, becoming interested in wireless telephony.  Subsequently he became an electrical engineer, though he was something of a visionary, interested in the hidden powers of radio and light.  
Matthews transmitted the first wireless press message from Newport to Cardiff in 1912, and in order to transmit speech from the ground to an aircraft he developed an Aerophone, which he demonstrated to King George V at Buckingham Palace.  After the outbreak of the First World War the government offered £25,000 to anyone who could devise a weapon against zeppelins or remote controlled unmanned vehicles.  In the presence of Admiralty representatives Matthews demonstrated with a searchlight beam that he could control a launch on an artificial lake in Richmond Park by using light-sensitive selenium cells.  But his invention was never used, though subsequently Lord Fisher made him an advisor on the Board of Invention and Research. 
Matthews experimented in recording sound directly onto film, and claimed that an interview with Antarctic explorer Sir Ernest Shackleton, recorded before his final expedition south, was the world's first talking picture, though that was not the case.
During the inter-war period when there was concern about lethal rays, Matthews claimed to have developed ones that could stop an engine by de-activating the magneto.  In 1924 he made a short film to promote his invention the death ray – alleging that with enough power he might be able to shoot down an aeroplane: this was described on the Pathé News as “war’s latest terror”.  A 1925 photo purports to show a night demonstration on Flat Holm Island, though Matthews was reluctant to have his inventions scrutinised or tested – citing a fear of industrial espionage.  After previous bad experiences with alleged inventors, the Air Ministry was wary of proceeding further, but there was concern lest Matthews sell his death ray to another country, for he visited France and the United States.  The High Court in London even granted an injunction to Matthews's investors that forbade him from selling the rights to the death ray.  
In 1930 at Hampstead he demonstrated his latest invention, a “sky projector” to project an image onto clouds in the sky.  But it was not successful, and he faced bankruptcy, having used up much of his investors' money by living in expensive hotels.  
Helped by new financial backers, Matthews moved in 1934 to upland Gower, where in a remote area he built Tor Clawdd, a large white bungalow on two acres of land.  During construction he was a popular lodger at a farmhouse on Mynydd y Gwair, and would dine at the Masons Arms in Rhyd-y-pandy.  Tor Clawdd, standing a few miles south of Penlle’r castell, contained six bedrooms and two bathrooms, a laboratory, with mains electricity and its own supply from a generator.  It also had water from a man-made well, a private airstrip for light aircraft (Matthews was a qualified pilot), and was surrounded by a tall electrically-guarded fence with steel gates.  Matthews employed a housekeeper and a handyman/gardener, while he worked on a system to detect submarines.  He enjoyed solitary rambling in that remote area.
Following two marriages of short duration, at the age of 57 he married in 1937 the Polish-American Ganna (Hannah) Walska, whose unrealistic operatic aspirations rivalled those of Florence Foster Jenkins.  She had accumulated a fortune from four previous marriages. 
But they separated after four years, shortly before Matthews died at Tor Clawdd of a heart attack aged 61.  After cremation at Pontypridd, his ashes were scattered at Tor Clawdd.  A 2009 blue plaque outside his Gloucestershire birthplace commemorates “one of the most enigmatic and shadowy inventors of the twentieth century”.

Monday, 9 October 2017

125 31st October

31st October
Next Tuesday will be the final day in the month, and for many people 31st October means celebrating Hallowe’en.  For decades the impact in this country of the Americanised Hallowe’en has increased, with “trick and treat”, and the wearing of all sorts of bizarre and ghoulish costumes - though we haven’t yet followed New York’s Greenwich Village with a huge Hallowe’en parade!
To some this is just harmless fun, but to others it is a sinister and unwelcome focus on the forces of darkness.  Yet I suggest two historical events on this date that are more worthy of our notice.  The first has already received much attention, for this year is the 500th anniversary of when German monk Martin Luther pinned up 95 theses on the door of All Saints’ Church in Wittenberg, Saxony, in 1517.  This set in motion the Reformation, which led to the emergence of Protestant and Nonconformist Christian denominations. 
The second event is local, being the start (in human terms) of the 1904 Welsh Religious Revival, which we date from a prayer meeting in Loughor’s Moriah Chapel on 31st October 1904.  In the schoolroom (adjacent to the new chapel of 1898) a young man named Evan Roberts spoke of four conditions for receiving God’s Spirit – to confess sin, remove anything doubtful from one’s life, surrender to the Spirit, and publicly admit to being a follower of Christ.  Those present felt a move of God’s Spirit, which escalated into months of packed meetings throughout the valleys, in North Wales and in Liverpool, with people gathering to experience God.  Meetings often included spontaneous unaccompanied congregational singing, with women playing a prominent part - singing and sharing testimonies of what Christ meant to them.  Especially popular was the hymn “Dyma gariad fel y moroedd” (“Here is love, vast as the ocean”), which was called “the love song of the revival”.  Many people came to faith in Christ, hundreds joined chapels and churches, the impact caused the crime rate and drunkenness to plummet, and many pubs were closed.  Men’s lives were changed - even pit ponies had to adjust to miners’ commands that now excluded swear words and blasphemies!  Although the Revival mainly affected Welsh-speakers, it could develop independently of meetings at which Evans Roberts was present.  In Mumbles the Tabernacle Congregational Church schoolroom held revival meetings from December 1904, resulting in 62 people joining the church.
The reporting of these events in the Western Mail and by newspaperman W.T. Stead (who later drowned in the Titanic) tended to focus on 26-year-old Evan Roberts.  Born in 1878, this earnest young man had worked as a miner from the age of 12 and as a blacksmith’s assistant, before embarking on training at Newcastle Emlyn for the Christian ministry.  In September 1904 during a Seth Joshua mission at Blaenannerch, Cardiganshire, he had an experience of God which led him to return to Loughor and seek permission to hold prayer meetings.  Evan Roberts never sought the limelight, and whereas the 1859 Welsh Revival had been led by outstanding preachers, he had no illusion of being an inspiring orator.  Though he toured the country and addressed many meetings, the strain of publicity and expectations led to his breakdown the following year, and withdrawal from public life, moving initially to Leicester.  He later returned to Wales to live quietly in Cardiff, devoting himself to prayer and to writing, until he died in 1951, and was buried at Moriah.  Yet the impact of the 1904 Welsh Revival spread overseas, even to the Khasi hills of north-east India.
A memorial column to Evan Roberts stands outside Moriah Chapel in Loughor.  Mal Pope’s 2005 musical “Amazing Grace” gives a good idea of what occurred, and the fierce opposition encountered, even from certain ministers. 
So on 31st October I prefer to thank God for what happened on that date in Wittenberg and in Loughor, rather than concentrating on dark and unedifying aspects of Hallowe’en.         

Sunday, 8 October 2017

124 Edgar Evans statue

124 Edgar Evans statue
A recent Evening Post article reported on plans to raise £90,000 for a 15-foot statue of Edgar Evans “to honour the Polar explorer”.  Evans was the Rhossili seaman who accompanied Captain Scott on two expeditions to Antarctica, during the second of which he was among the five men who reached the South Pole in January 1912, though the first of them to perish on the return journey.  I would suggest that Petty Officer Evans, an integral member of both Captain Scott’s Antarctic expeditions, is already suitably honoured in his home town, and further afield.
Swansea Museum contains a fine bust of Evans, based on the famous photograph of the five men at the South Pole, carved by Philip Chatfield, who carved the Merchant Navy memorial in SA1, as well as many other commissions.  Evans’s bust, which was commissioned by the Captain Scott Society of Cardiff, from where the 1910 “Terra Nova” expedition had sailed, was presented to the City of Swansea in 1995 by the Lord Lieutenant of West Glamorgan at a Civic event held at the Brangwyn Hall. 
In 2012, on the centenary of that expedition, Swansea Museum had an excellent display about Evans and the 1910 British Antarctic Expedition for many months, with the actual centenary of Evans’s death being marked by a Civic Service at St Mary’s Church in Swansea.  In Rhossili, at the church where Evans had married in 1904 his cousin Lois Beynon, who used to sing in the church choir, is a plaque commemorating him, as well as a stained-glass window in his memory, along with an information board.  On sale at West Glamorgan Archives is the first biography of Evans, my 1995 book “Swansea’s Antarctic Explorer”, while the more comprehensive biography by Dr Isobel Williams entitled “Captain Scott’s Invaluable Assistant: Edgar Evans” was published in 2012 and continues to have a wide readership.  That year Evans was the subject of a fine HTV television documentary, and in November 2014 a blue plaque was unveiled outside Middleton Cottage, his birthplace near Rhossili. 
Furthermore Swansea Museum has items relating to Evans – one of his boots is displayed in the Cabinet of Curiosities – and researchers can view two letters which he sent from Antarctica, and peruse information pertaining to him and Scott’s ill-fated 1910-13 British Antarctic Expedition.
Evans’s old school, St Helen’s in Vincent Street in the Sandfields, has a fine framed photograph of their famous former pupil, while the former Head Post Office in Wind Street (Evans worked as a telegraph messenger boy at their previous Castle Bailey Street premises) used to display H.A. Chapman’s large framed photograph of him taken at the time of his wedding.  That building at the junction of Green Dragon Lane is now Idols bar, so the photograph can be seen at the Royal Mail premises on the Enterprise Zone.  Evans’s Royal Naval roots were recognised by a residential block being named after him at HMS Excellent in Portsmouth, while in Antarctica two geographical features bear his name.
Although much focus is on what is called “Scott’s Last Expedition”, Evans was also a prominent member of Scott’s earlier Antarctic expedition from 1901 to 1904 in the “Discovery”.  Swansea Museum contains a two-volume first edition of Scott’s account of this.  The “Discovery” is open to the public at Dundee, where this wooden ship was built, though the “Terra Nova” sank off Greenland in 1943: her figurehead is in the National Museum of Wales in Cardiff.
Besides the soldier on the South African War memorial, Swansea has statues of industrialists John Henry Vivian and his son Henry Hussey Vivian, of William Thomas of Lan “the champion of open spaces”, of poet Dylan Thomas and of footballer Ivor Allchurch.  Though the intention is laudable, surely plans for a 15-foot high statue of Petty Officer Edgar Evans are superfluous?    

Thursday, 5 October 2017

123 Unitarians

123 Unitarians
What links American architect Frank Lloyd Wright, and radical scientist Joseph Priestley, with novelist and biographer Mrs Gaskell?  It is that all these people were Unitarians.  Britain has 170 Unitarian meeting-houses, of which 27 are in Wales - the same number as at the Religious Census of 1851.  Swansea’s meeting-house is next to the Argos store in High Street, with Gellionen near Pontardawe being another well-known Unitarian chapel - built originally in 1692 by Protestant dissenters on Mynydd Gellionnen.  The Museum of Welsh Life at St Fagan’s has Pen-rhiw Chapel, which is also Unitarian.  This was probably first built as a barn during the mid-eighteenth century, before being acquired in 1777 by Unitarians for use as a meeting house.  The original loft was removed or altered in the 19th century to create the gallery, greatly increasing the seating capacity.  The floor of the building is of beaten earth, except the communion area which is boarded.  Originally at Drefach Felindre in north Carmarthenshire, the chapel was dismantled in 1953 and moved to the Folk Museum.
In 1774 a former Vicar, who had left the Church of England, opened Britain’s first Unitarian meeting-house, in Essex Street, near the Strand in London: today the headquarters of British Unitarians stand on that site.  The first meeting-house in Wales was established 20 years later by Thomas Evans (Tomos Glyn Cothi) - known as “Priestley bach” from his adherence to the teachings of Joseph Priestley.  Evans preached the first Unitarian sermon published in Welsh.  In 1802 the Unitarian Association of South Wales was founded, one member being the controversial poet and Unitarian hymn writer Iolo Morgannwg (Edward Williams), who introduced Druidism and the Gorsedd ceremony into Eisteddfodau.
Swansea’s Unitarian Chapel is set back from High Street, being reached across an open paved forecourt, and having a gabled porch.  After the 1689 Act of Toleration permitted Dissenters (though not Unitarians) to meet, it was used for worship by initially Baptists and later by Presbyterians, before being rebuilt in 1840. 
In Pennard after the war a small meeting-house was built in Hael Lane.  This was supplied with ministers from Swansea - Rev. Basil Viney would walk to Pennard - but after numbers dwindled the building was sold at auction in 1966, then demolished and a bungalow erected on the site.
Unitarians differ from various Christian denominations in that they do not recognise Christ Jesus as being God the Son, co-equal with God the Father and with God the Holy Spirit.  The term “Trinity” does not occur in the Bible, being a human attempt to describe God, but Unitarians do not recognise the Trinity, and would deny Christ’s deity and pre-existence prior to his birth in Bethlehem.  During the nineteenth century Christian ministers who opposed Unitarianism included the Welsh Methodist and hymn writer William Williams (Pantycelyn), Peter Williams, who translated “Guide me, O thou great Jehovah” into English, Welsh Baptist Joseph “Gomer” Harris (of Capel Gomer), and Christmas Evans, who is buried in Swansea’s Bethesda Chapel. 
Unitarians do not impose creeds or specific beliefs, but welcome people with open minds who share their tolerant and inclusive views.  They conduct naming ceremonies and weddings for people of any faith or none, and welcome those planning a second marriage.  At times Unitarians have been persecuted – as have Catholics, Protestants, Baptists, Quakers and others.  The term “Christian” can be loosely used to mean a gentleman or a respectable person, whereas it should mean a follower of Christ Jesus.  For example, to state that Nick Clegg MP is not a Christian is not to denigrate him or to cast aspersions on his integrity, but merely to state a fact - he is an atheist.  Similarly Unitarians are not Christians, which does not preclude their campaigning for such issues as the abolition of slavery and for gender equality.  They support equality of respect and opportunity foreveryone.                       

Wednesday, 4 October 2017

122 Vernon Watkins 50th anniversary

122 Vernon Watkins 50th anniversary
This year October 8th falls on a Sunday, as in 1967, when in Seattle, North America, 61-year-old Pennard poet Vernon Watkins collapsed and died while playing tennis.  Following retirement from long service with Lloyds Bank, mainly at Swansea’s St Helen’s Road branch, he took up a Gulbenkian Fellowship in poetry at University College, Swansea, which awarded him an honorary Doctorate of Literature, before he travelled with members of his family to Seattle.  This was intended to be a year as Visiting Professor of Literature at the University of Washington, where he had lectured on W.B. Yeats and Gerard Manley Hopkins for one semester in 1964.
Often referred to as “Swansea’s Other Poet”, Vernon Watkins was a good friend of Dylan Thomas, whose obituary he wrote in “The Times”.  He sought to defend his friend’s reputation, for the often exaggerated anecdotes of Dylan’s drinking and outlandish behaviour distracted attention from appreciating the quality of his poetry and other writings.
Vernon was a very fine poet in his own right, whose work was as different from Dylan’s as that of John Donne (like Vernon, a metaphysical poet) from that of John Betjeman.  There was no rivalry between Dylan and Vernon, for both appreciated the other’s poetry, and during the 1930s they would regularly meet to discuss poetry, and suggest any words or phrases that might improve what either had written.
During Vernon’s lifetime Faber and Faber published six volumes of his poetry, with a seventh being printed at the time of his death.  Subsequently three more volumes of his poetry have appeared, as well as his “Collected Poems” in 1986.  For the centenary of his birth “New Selected Poems” was published in 2006, and this was recently reprinted for the 50th anniversary of his death.  In the foreword, Dr Rowan Williams describes Vernon’s long poem “The Ballad of the Mari Llwyd” as “one of the outstanding poems of the century”.  Sadly the radio recording of Dylan reading it (which takes 30 minutes) has not survived.
Vernon could speak German and French, and translated poems from both languages, having spent one year at Cambridge studying modern languages.  He made several visits to Germany, being outraged at the time of the Nazi book burning in 1933 when books by German nineteenth century poet Heinrich Heine were burnt: he had to be hurried away by friends from danger.  Vernon translated two cycles of Heine’s poems composed in 1825/26 into English, entitled “The North Sea” and this was published in 1951.  At the time of his death Vernon was being considered, among others, as a possible Poet Laureate, following the death of John Masefield.
His poetry was composed in spite of the time pressure of full-time work six days a week in a bank, entailing bus journeys to and from Pennard to Hospital Square (the junction of St Helen’s Road and Bryn-y-Mor Road), and not neglecting his wife Gwen and his five children.  He met Gwen during the war, when they both worked at Bletchley Park, near Milton Keynes, the government secret code-breaking centre.  They lived on Pennard cliffs where a friend recollected “my image of him will always be out of doors, on walks above or below the cliffs, or on the rocks at low tide, out for lobsters, crabs and prawns…”
The 50th anniversary of his death is being marked in several ways.  This month Jeff Towns’ exhibition is in the foyer of the Singleton campus University library, with last Monday a reading of and discussion about his poetry at the Taliesin Theatre.  This morning a Vernon Watkins walk will start from outside Pennard’s Three Cliffs coffee shop at 11am, while on 19th October the Ostreme Centre in Mumbles hosts a talk from the editor of “New Collected Poems” at 8pm - admission £3.  
These events and a forthcoming biography should ensure that Vernon Watkins, whom Dylan described as “The most profound and greatly accomplished Welshman writing poems in English”, is not forgotten.                                                                                  
  Late I return, O violent, colossal, reverberant, eavesdropping sea.
  My country is here.  I am foal and violet.  Hawthorn breaks from my hands.
  I watch the inquisitive cormorant pry from the praying rock of Pwlldu,
  Then skim to the gulls’ white colony, to Oxwich’s cockle-strewn sands.
  (from “Taliesin in Gower”, courtesy of Gwen Watkins)